By Ryan Wallace For an artist that describes themselves as a “witchy duo from Nottingham”, it comes as no surprise that Modern Coven’s most recent single, “Curses” is an ethereal, doom-laden folk soundscape. Setting up the song as a vibe above all else, Modern Coven allows the listener to drift into their coordinated use of... Continue Reading →
Chiara Baillie – Disappear single review
By Emily Duff Up-and-coming singer-songwriter Chiara Baillie has recently released her debut single, Disappear. Recorded at Eggman Studio’s in Fife, Baillie created a stripped-back sound by focusing solely on her vocals and subtly accompanying herself on guitar. With beautiful artwork by Kris Boyle, Baillie is shown in a beautiful sunrise-esque light with a distorted mirror... Continue Reading →
Chase & Status at Virgin Money Arena (17.9.20)
By Erin McGroovy I imagined my first endeavour back into live music after this pandemic going a little differently. I pictured everything back to normal, packed in like sardines, shoulder to shoulder with a sweaty raver on my left and someone’s 60 odd year-old dad on my right – united together for the evening by... Continue Reading →
Georgie – At Home EP review
By Niamh Christian Singer-songwriter Georgie from Mansfield has recently released an incredible 8 track EP with a very relatable title for the current world situation: At Home. Being stuck inside during lockdown has been aa difficult time for many, and Georgie is no exception. Suddenly having to curtail a high profile tour in support of... Continue Reading →
The Let Go – One More Single Review
By Emily Duff Female Indie Pop Band, The Let Go, are beginning to progress and make a name for themselves in the UK whilst proving the underappreciated talent of females in the music scene. Having taken almost a year away from making music and after recently relocating from Washington DC to Liverpool, The Let Go... Continue Reading →
IZZY STADEN INTERVIEW + ‘You Don’t Lie Well’ Single Review
By Niamh Christian Last month, London based singer Izzy Staden released her latest single 'You don't Lie Well'. An upbeat pop song full of sass and attitude with meaningful and relatable lyrics about a bad break up. Izzy has managed to build a platform by drawing upon her past struggles with mental health in her... Continue Reading →
We Need To Stop Using Female-Fronted As A Genre
By Niamh Christian We've all seen in our favourite music magazines, on Spotify playlists, on music television channels: Female Fronted bands. Bands of all different types of genres from pop-punk to metalcore, all in the same playlist. Bands with mostly male members but a female front, standing out as 'feminist' icons in the rock and... Continue Reading →
The Problem With Being Complicit – a look into abuse of power in the music industry, and how you can stop supporting abusers
By Emily Condie In any industry where a platform (and therefore a degree of power) is distributed, it feels inevitable that at some point, someone in this position will abuse it. Although the idea of an artist you support - and oftentimes subconsciously put trust into - being capable of taking advantage of their success... Continue Reading →
Bohemian Machines – ‘Social Skills’ Single Review
By Erin McGroovy Tearing from the silence of the last few months in lockdown, ‘Social Skills,’ begins with this effervescent, tribal percussion, almost like some sort of ritual, until it breaks down and merges into an indietronica beat. This latermeets with some punchy Talking Heads style vocals, a band that Bohemian Machines have taken a... Continue Reading →
DAY 2 – THE UNHOLY COMMUNION OF NOISE MUSIC AND FUTURISM ART – FEATURING CHARLIE SANDERS
Mine and Charlie’s previous attempt to get one of these posts out every day ended up falling completely flat. Charlie has been working on multiple projects over the past few months and a daily project became too much for both our schedules. As a result, he’s completely restarted the futurism piece into something that is... Continue Reading →